Fiction and Drama

Below is a young adult science fiction novel called The Celestial Blade and some plays and screenplays that I have written. Some are quite old and some are new. A few of these of these deal directly with the ideas of globalization or spirituality, while others I have included simply because I enjoyed writing them and wanted to share my work. Each script can be downloaded as a PDF file by clicking on its title. I hope you enjoy the scripts. I'd love to hear any feedback you are willing to share, both positive and negative.


The Celestial Blade
Young Adult Science Fiction Novel

After finishing editing the film Dark September Rain, I wanted to do something very different. I decided to write a young adult science fiction novel that explores the relationship between science and religion. Unfortunately, it seems unlikely to ever get published. I suspect the combination of science and religion in a young adult novel is a bit daunting for many agents to consider.

Imagine a starship traveling between galaxies, a tube shaped, self-contained world with a human section nearly the size of
South America. And imagine that the passengers of this ship have divided their societies based on how much technology they use and how they choose to worship. This is the world Jed and his friends Kylla and Fallon set out find Jed's older brother in. This is the world of The Celestial Blade.


The novel opens with the main characters of Jed (13), Kylla (13), and Fallon (11) exploring a ruined castle in a distant part of the ship where they find three ancient artifacts; a dagger, and stone necklace, and leather bound book. These artifacts become essential in their adventure. All three have grown up in the secluded
Notesch Valley in a Kellish community where people have abandoned all technology beyond horse drawn wagons and simple tools that might have been found in the 1800s. When each Kellish teenager turns 17 they are sent out into the wider world of the ship so they can decide if they wish to follow the Kellish way of life or abandon it. This journey is called Landdesh, and Jed's older bother Tallu is over a month late in returning from his. When an old woman priest named Qa'Lea arrives on his family's porch to tell his parents that Tallu is in danger, Jed sets out with his two friends to rescue his older brother. It is an adventure that takes them far beyond the hidden valley of their childhood and deep into a world filled with technological marvels and unexpected dangers


Dark September Rain

Stage Play

Six people are stranded in a farmhouse on a day much like September 11th, 2001. This play is an attempt to take the central ideas of the book The Chrysalis Age and present them in a dramatic and entertaining form. It returns to the characters I first explored in the script and feature film Harvest Moon. In 2004 I directed the feature film version of the script..


Pop! Culture: The Future of America

Stage Version
Screenplay Version

Trapped in a society dominated by a handful of companies that are rapidly merging into one giant conglomerate, the Citizen has begun to feel that Life™ as a materialistic corporate consumer cog isn't turning out as advertised. Sound familiar? Not as seen on TV!


Moonlight Serenade

Screenplay

Escaping her ex-husband by running off to a writer's colony, Katherine is caught in a freak storm and forced to take refuge in the boardinghouse of a small town. Finding herself stranded for several days she becomes charmed by the local poet as well as the eccentric citizens of the idyllic town of Moonlight. Inspired by the screwball comedies of the 1930's and 40's, I've recently revised this script to reflect my current interests in spirituality and the world.

 

An Unforgiving Storm
Stage Play

The interwoven stories of two couples trapped in a small farmhouse during a blizzard. The first couple is a sharecropping family caught in the depression of 1933. They have had no food for days and the mother, in what she considers an act of mercy, has just suffocated their small child. The second story takes place in 1973 and involves a young couple that has lost a child in an accident. The woman must decide whether or not to keep the new baby she has just told her husband she is carrying, because carrying the child to term could kill her.

 

The Day the Sky Fell
Screenplay

The world is thrown into panic when, Europa, an ice encrusted moon of Jupiter, suddenly and inexplicably leaves the orbit of its parent planet and heads directly for Earth. By the time this Visitor arrives in Earth orbit three days later it has shed its icy shell to reveal a smoothly polished silver surface. As governments, scientists and religious leaders race to discover the meaning of the silent sphere's presence, Dr. Valerie Whitehawk, a parapsychologist and philosopher with an extraordinary ability, is swept up on a quest into the bowls of the Visitor and eventually to the depths her own being.

 

Unexplained Phenomenon
Screenplay

Katherine is a journalist trying to escape government agents who are afraid she knows too much about the increasingly bizarre symbols that have begun to appear everywhere; from the sides of mountains, to the tops of glaciers, to a monument that people have spontaneously begun to build in the fields of Iowa.

 

Harvest Moon
Screenplay

This is the script for a film I directed more than a decade ago. It was never seen, or distributed. The film was shot on an extremely low budget and it shows. However, it does have a certain charm that comes through just as well in the screenplay. The characters and setting later became the basis for Dark September Rain, a sequel of sorts.

 
Before the Shadow of Morning

Stage Play

 The first play I wrote. Very old now. The story of what happens when eight mental patients are stranded in a group therapy room and no one shows up. And then the power goes out. And smoke is seen outside. And no one shows up.


The Iron Cottage

Stage Play

A writer returns home to his small town home after the sucide of his sister. Something I wrote a number of years ago that I like, but haven't had time to work on.


Again, I'd love to hear what you think of these scripts and any feedback, positive or negative, is much appreciated. And if for some strange reason you find yourself interested in these scripts for performance or production, by all means, please contact me.